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Name:Landscape
Mode:Cezanne-045
Auther:Paul Cezanne
Range:Paul Cézanne (French pronunciation: [pɔl seˈzan]; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cézanne can be said to form the bridge between late 19th century Impressionism and the early 20th century's new line of artistic enquiry, Cubism. The line attributed to both Matisse and Picasso that Cézanne "is the father of us all" cannot be easily dismissed.
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The Cézannes came from the small town of Cesana now in West Piedmont, and it has been assumed that their name came from Italian origin.[1] Paul Cézanne was born on 19 January 1839 in Aix-en-Provence, in Provence in south of France.[2] On 22 February, Paul was baptised in the parish church, with his grandmother and uncle Louis as godparents.[2] His father, Louis-Auguste Cézanne (28 July 1798 – 23 October 1886),[3] was the cofounder of a banking firm that prospered throughout the artist's life, affording him financial security that was unavailable to most of his contemporaries and eventually resulting in a large inheritance.[4] On the other hand, his mother, Anne-Elisabeth Honorine Aubert (24 September 1814 – 25 October 1897),[5] was vivacious and romantic, but quick to take offense.[6] It was from her that Paul got his conception and vision of life.[6] He also had two younger sisters, Marie and Rose, with whom he went to a primary school every day.
 
After Cézanne died in 1906, his paintings were exhibited in Paris in a large scale museum-like retrospective in September 1907. The 1907 Cézanne retrospective at the Salon d'Automne greatly impacted the direction that the avant-garde in Paris took, lending credence to his position as one of the most influential artists of the 19th century and to the advent of Cubism.
 
Cézanne's work demonstrates a mastery of design, colour, composition and draftsmanship. His often repetitive, sensitive and exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields, at once both a direct expression of the sensations of the observing eye and an abstraction from observed nature. The paintings convey Cézanne's intense study of his subjects, a searching gaze and a dogged struggle to deal with the complexity of human visual perception.
 
Cézanne's explorations of geometric simplification and optical phenomena inspired Picasso, Braque, Gris, and others to experiment with ever more complex multiple views of the same subject, and, eventually to the fracturing of form. Cézanne thus sparked one of the most revolutionary areas of artistic enquiry of the 20th Century, one which was to affect profoundly the development of modern art.
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